Nalan Kumarasamy and Gautham Menon ship what is predicted of them on this Tamil anthology, however there’s not a lot past that
Director: Gautham Menon
Forged: Gautham, Amala Paul
Can a person and girl stay simply mates for all times? 2003 Tamil movie Priyamana Thozhi starring Madhavan, Sridevi and Jyothika broached this query intimately, trying into the myriad issues of such friendships. 2021 sees Gautham Menon introspecting this side by means of Aadhi and Meeru, who’ve been thick mates by means of faculty. What occurs in the future when they’re each alone in a relative’s home?
Don’t let your creativeness run wild, like Robo Shankar does within the movie.
Stuffed with neat music and visuals, Edhirpaaradha Mutham has every little thing that you’d anticipate out of a GVM romance and is straight out of the Karthik Dial Seytha Enn universe. There may be one lengthy heartwarming stretch when the 2 meet within the current; their circumstances have modified dramatically, however the best way they take a look at one another hasn’t. This very relatable stretch makes this phase work, as does Amala Paul’s expressions. Gautham the author of romance remains to be in good type, however Gautam the actor isn’t. His presence fairly doesn’t match the world. A seasoned actor might need made an enormous distinction.
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Forged: Megha Akash, Amitash Pradhan
Abortion was the main target of Vijay’s earlier movie, Diya, starring Sai Pallavi. Avanum Naanum continues that practice of thought within the filmmaker’s head.
What if a lady will get pregnant when she is least anticipating it? What does she do? These are questions that Vijay seeks to reply by means of Avanum Naanum.
However there’s little finesse within the filmmaking or the storyline. Megha tries to salvage issues along with her efficiency as Priya, however the melodrama lets the topic down. The staging is old style, and someway, it comes throughout as a movie that takes again Tamil cinema to steps it has already climbed over the past decade.
Director: Venkat Prabhu
Forged: Varun, Sangeetha, Sakshi
We’ve got seen avid gamers in Tamil cinema earlier than. However all these movies showcased it as a passion/career of the character, with just some cursory photographs of them on the console in all probability.
Logam will get into the avid gamers’ world, fairly actually. This territory is a brand new one, and Venkat Prabhu deserves credit score for simply exploring that space. Can actual personalities who’re into gaming get so sucked into the world that they really feel that it’s, at occasions, higher than the universe they actually exist in?
Logam begins off apparently, throwing the highlight on avid gamers Adam and Eve. There’s some form of adrenaline going initially, however that fizzles out as quickly because the ‘recreation’ begins. The shock twists in the direction of the tip should have sounded good on paper, however on display screen, they don’t have the specified affect. The animation and a few cleverly-placed music (by Premgi Amaren) are price trying out, however Logam on the entire is nearly satisfactory.
Director: Nalan Kumarasamy
Forged: Vijay Sethupathi, Aditi Balan
Who’s Hari Prasath and why does he name VJS usually?
Aadal Paadal revolves across the trials of a married man on the lookout for some form of pleasure past marriage. Nalan offers his personal twist to the scheme of issues right here that reminds considered one of among the high-quality quick movies we consumed throughout lockdown.
Vijay Sethupathi is surprisingly low-key; his dialogue supply and expressions are measured at most occasions. Aditi Balan, nevertheless, will get in a cracker of a efficiency and proves that Aruvi was no flash within the pan. Ideas like extra-marital affairs can take both a severe or steamy tone, however to Nalan’s credit score, issues listed here are largely dealt sensitively. He even ensures that the couple has a separate ‘speaking area’ within the terrace! A few dialogues hit house laborious, and the quirky music (by Edwin Louis Viswanath) provides to the flavour.
Kutty Story is at present operating in theatres